Jean-David Nkot, Cameroonian visual artist, was born in Douala where he currently resides and works. He first received his BAC diploma in plastic arts in 2010 at the Institute of Artistic Training of Mbalmayo (IFA) and then joined the Institute of Fine Arts in Foumban where he obtained a degree in Applied Arts. Throughout his training, he attended the workshops of Hervé Youmbi, Salifou Lindou, Jean Jacques Kanté, Pascal Kenfack and Ruth Belinga.
He uses a variety of mediums including paint, silk screen and India ink, to create profound portraits. In this new work he questions the impact, the stakes and the origin of capitalism through the history of cotton but also that of humanity and the working conditions of blacks in the fields (cotton, coffee, cocoa). As Bernard-Marie Koltes stated in the case of the cotton fields “in the cotton fields what is often interesting are the cries of the blacks who do not necessarily express pain but the joy of being first of all oneself in human situations even dehumanised”. In this work he tells the story of violence, pain and frustrations of the conditions of blacks in the past through slavery and presently through the economic relations between the south and the north.
The What Water uses necessary cookies to make our site work. We would also like to set optional “analytics” cookies to gather anonymous site visitation data. By enabling these cookies, you can help the What Water provide a better website for users like yourself. For more information about the What Water’s cookies and third-party cookies, see our Cookie Notice